Las óleos de todo Alfred R. Waud
ID Image  Painting (From A to Z)       Details 
49248  
Alfred R. Waud, A Guerilla
  		 A Guerilla   mk195 ca.1863 Drawing
49310  
Alfred R. Waud, Battle of Chickamauga
  		 Battle of Chickamauga   mk195 1863 Drawing,Library of Congress
49356  
Alfred R. Waud, General George Custer Receives a Flag of Truce at Appomattox Court House
  		 General George Custer Receives a Flag of Truce at Appomattox Court House   mk195 April 1865 Pencil
49355  
Alfred R. Waud, General Lee Leaving Appomattox,April 9.1865
  		 General Lee Leaving Appomattox,April 9.1865   mk195 1865 Pencil 9x8
49309  
Alfred R. Waud, Sumner Crossing Chichahominey,Battle of Seven Pines May 31
  		 Sumner Crossing Chichahominey,Battle of Seven Pines May 31   mk195 1862 Pencil,Library of Congress
49294  
Alfred R. Waud, The 1st Virginia Cavalry
  		 The 1st Virginia Cavalry   mk195 September 1862 Pencil and Chinese white on paper 8x12
Alfred R. Waud
American, 1828-1891,was an American artist and illustrator, born in London, England. He is most notable for the sketches he made as an artist correspondent during the American Civil War. Before emigration, Alfred Waud had entered the Government School of Design at Somerset House, London, with the intention of becoming a marine painter. This did not come to fruition, but as a student, he also worked as a painter of theatrical scenery. He intended to pursue that work in the United States, when he immigrated in 1850, seeking employment with actor and playwright John Brougham. In the 1850s, he worked variously as an illustrator for a Boston periodical, the Carpet-Bag, and provided illustrations for books such as Hunter's Panoramic Guide from Niagara to Quebec (1857). The period during the American Civil War was time when all images in a publication had to be hand drawn and engraved by skilled artist. Photography existed but there was no way to transfer a photograph to a printing plate since this was well before the advent of the halftone process for printing photographs. Photographic equipment was too cumbersome and exposure times were to slow to be used on the battlefield. An artist such as Waud would do detailed sketches in the field, which were then rushed by courier back to the main office of the newspaper they were working for. There a staff of engravers would use the to sketches create finished engravings for publication. In 1860 Alfred Waud became an illustrator or special artist (a full time paid staff artist) for the New York Illustrated News. In April 1861, the newspaper assigned Waud to cover the Army of the Potomac, Virginia main Union army. He first illustrated General Winfield Scott in Washington, D.C., and then entered the field to render the First Battle of Bull Run in July. Waud followed a Union expedition to Cape Hatteras, North Carolina the next month. That autumn, he sketched army activity in the Tidewater region of Virginia. Waud joined Harper's Weekly toward the end of 1861, continuing to cover the war. In 1864 Alfred brother, William Waud (who up to that time had been working with Frank Leslie Illustrated Newspaper), joined Alfred on the staff of Harper's and they worked together during the Petersburg Campaign. Alfred Waud attended every battle of the Army of the Potomac between the First Battle of Bull Run in 1861 and the Siege of Petersburg in 1865. Alfred was one of only two artists present at the Battle of Gettysburg. His depiction of Pickett Charge is thought to be the only visual account by an eyewitness. Waud died in 1891 in Marietta, Georgia, while touring battlefields of the South.



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